#----------------------------------PLEASE NOTE----------------------------------#
# This file is the author's own work and represents their interpretation of the #
# song. You may only use this file for private study, scholarship, or research. #
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E-mail: ironic_clown@hotmail.com
Should all be good. Feel free to e-mail with questions or comments.
CHORDS USED IN THIS SONG:
Am: x02210 C: x32010 F: x03211 (See note) G: 320003 Dm: xx0231 Dsus: xx0233 A: x02220 D: xx0232
NOTE: For all of the F chords, he only plays the full chord (133211) when he says "In eyes" for the second time. I've marked it with a *. All the other F chords are played like this: x03211.
INTRO: *It's basically just chords, but I included all the picked notes too*
Am C F e|------0---------------1-----0-------0----| B|-----1---------1------1---------1--------| G|----2----------0---0--2-------2----------| D|---2------2-0--2---0--3---3-------3------| A|--0-------0----3---3---------------------| E|-----------------------------------------|
C G Dm Dsus e|--------0--------------1-----3-----3---3-------| B|--------1-----0---0-0--3-----3-----3---3-------| G|-----0----0---0---0-0--2---2-2-------2---2-----| D|--0--2----2-0-0---0-0--0---0-0-------0---0-----| A|--3--3----3-2-2--------------------------------| E|--------------3--------------------------------|
FIRST VERSE:
Am C F C G Dm Dsus Dm A black sheep boy revolves over canyons and waterfalls. Am C F C G Dm Dsus A black sheep boy dissolves in syringe or in shower stall.
FIRST CHORUS:
Dm He says C G Dm F “there’s plenty of time to make you mine tonight, C G Dm there’s plenty of time to make you mine.”
He says C G Dm “there’s plenty of ways to know you’re not dying, F all right. C G Dm Hell, there’s plenty of light still left in your eyes.” F* In your eyes.
FIRST PRE-VERSE:
Am C F C G Dm
SECOND VERSE:
Am C F C A black sheep boy grows horns, G Dm breathing smoke through his microphone. Am C F C Dm The airwaves stretch and they groan, bleeding, birthing his black diapason.
SECOND CHORUS:
He says C G Dm F “there’s plenty of things to wear when you come to me, C G Dm every color of sleeve to be rolled. C G Dm F There are millions of rolling eyes that still cling to me. C G Dm Every language of king is concerned.
BRIDGE:
Am So why Dm did you bawl G D A from the spell of some old holy song G D A that some liar laughed as he composed, G D A some liar I loved to control?”
SECOND PRE-VERSE: *I included both the chords and the faint guitar in the background*
Am C F C G Dsus e|-------------1--1---1----|--0-----------1---1---1-3----3-3--| B|-------------1--1---1----|----3-1-0-----3---3---3-3----3-3--| G|-------------2----2---2--|----------2-0-2-----2---2----2-2--| D|---------0-2-3----3---3--|--------------0-----0--------0-0--| A|--0--2-3-----------------|----------------------------------| E|-------------------------|----------------------------------|
Am C F C G Dsus e|-------------1--1---1----|--0---------------1---1-3--| B|-------------1--1---1----|----3-1-0---------3---3-3--| G|-------------2----2---2--|----------2-0-2-----2---2--| D|---------0-2-3----3---3--|--------------------0---0--| A|--0--2-3-----------------|---------------------------| E|-------------------------|---------------------------|
THIRD VERSE: *For the first 4 lines there's no guitar, but the bass copies the notes the guitar would playing*
Am C F Am A black sheep boy dissolves C F Am in hot cream, in sweet moans, C F Am in each dead bed and empty home, C F Am in each seething bacterium.
C F Killing softly and serial, C G Dm he lifts his head, handsome, horned, magisterial. C G Dm He's the smell of the moonlight wisteria. C G Dm He’s the thrill of the abecedarian. C G Dm (See the muddy hoofprints where he carried yo
THIRD CHORUS:
C G Dm F And there’s plenty of ways to claim his crimes tonight, C G Dm and there’s plenty of things to do on his dime. C G Dm F And there’s plenty of ways to wear his hide tonight.
C G Dm You’ve got yours and I’ve got mine. C G Dm You’ve got yours and I’ve got mine.
OUTRO:
Dm So why Am did you flee? G D A Don’t you know you can’t leave his control G D A only call all his wild works your own? G D A So come back and we’ll take them all on. G D A So come back to your life on the lam. G D A So come back to your old black sheep man.
He says G D A “I am waiting on hoof and on hand. G D A I am waiting, all hated and damned. G D A I am waiting, I snort and I stamp. G D A D I am waiting, you know that I am, G D A calmly waiting to make you my lamb”
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